In Inoue Shun’s “The Invention of the Martial Arts: Kano Jigoro and Kodokan Judo” (1998), Inoue explores the modern invention, and subsequent reinvention, of the Japanese martial arts by an examination of Kodokan judo (163). This is done through a detailed discussion of Kano’s decision and active participation of creating the new martial arts such as: conception, process of modernization through scientification of the martial arts, promotions and competitions, institutionalizations and adoptions into various agencies (government institutions, universities, etc.), establishment of the Kodokan Cultural Association (promotion of the basic principles of Kodokan judo as well as serving as a legitimate infrastructure and governing body that actively promotes the new martial arts ideology), its inevitable re-invention post-Kano years by the Dai Nihon Butokukai (leading to an ultranationalistic role), and finally, a return to the sportification of budo post-WW2 in order to escape censorship while still providing for the lack of national identity during the occupational years. An important takeaway from this paper is the reveal of the process of how Kano was able to elevate budo through Kodokan judo’s hybridity of being a composite of the old budo schools while also being modern through its scientification and rationalization of the practice, and dissemination of the basic principles that point to an ascending order of signification – that is, from the self-perfection character-building aspect, it aspired to foster mutual perfection among peers and eventually of the prosperity of humankind (168)– which speaks of its capacity to be both a physical practice and a discourse. As a research into the invention of tradition, this paper is significant for researchers, students, and the general public as an introduction to the historical development of a created tradition and its reaction to outside forces that develop its discourse and material form.
(November 01, 2019)
(November 01, 2019)
Comments
Post a Comment